Unidentified Murder review – playful sendup of alien abduction and true crime influencers in Hong Kong
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Star Trek IV: The Voyage Home review – Kirk, Spock and co on semi-intentionally hilarious save-the-whale mission
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‘He could arch both eyebrows and curl his lips in every direction all at once’: Tim Curry’s five best screen roles
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Colony review – zombies return to the mall with a fresh and frenzied range of scares
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The Dog Stars review – Ridley Scott’s lethargic postapocalyptic drama is a misfire
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The Quiet Earth: New Zealand post-apocalyptic classic preys on the fear of being totally alone
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Chris Carter is mistaken if he thinks more gore will bring The X-Files: I Want to Believe back to life
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The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
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The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
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The Ribbon Hero review – do-gooder princess battles giant flying earwigs in update of classic yarn
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‘I was hyperventilating and sobbing’: Tomi Adeyemi says Children of Blood and Bone film ‘the worst thing I’ve ever lived through’
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If Deadpool wants to be a true Marvel superhero, is it time he grew up and stopped joking around?
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Chickenhare and the Secret of the Groundhog review – time-travel fun for plucky hybrid critters
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‘You want to reach out and touch everything’: why Labyrinth is my feelgood movie
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Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
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