‘Terrifying’, ‘creepy’, ‘abusive’: dozens of women who worked for convicted rapist Ralph Carr speak out
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‘If you yell at everything, no one’s gonna listen’: Kelly-Dawn Hellmrich on the Australian musicians rewriting the rules
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On tour with the Beastie Boys, Sonic Youth and Foo Fighters: raw music documentary captures Australia’s ‘best summer’
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Amy Shark, stripped back: ‘Everyone thinks being famous is amazing, and it’s not. It’s quite ugly’
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Adapt or die: the Australian live music lovers trying to reinvent an ‘ancient’ and ‘unviable’ industry
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Jessica Mauboy: ‘Why did I do a kookaburra call for Ellen DeGeneres? Did I think that was cool?’
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Mark Holden: ‘I started telling the judges off. And that’s really totally uncool’
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Banned on Broadway, a new generation of music software is shrinking musical theatre orchestras
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From G-Flip to Tame Impala: why Australian music is soundtracking so much TV right now
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The kindness of strangers: I was a broke youth radio host who couldn’t afford a Beck ticket – then a listener called in
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Eurovision 2026: Delta Goodrem sends Australia to the grand final with note-perfect performance
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Songwriters on the Run by Robert Forster review – Go-Betweens frontman hits a dud note
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Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun
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Amyl and the Sniffers win Apra award for song of the year for second year in a row
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‘How can a TV show make you feel such emotions?’ The Bluey composer shares the trick to music that ‘hits you in the feels’
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