Nas / The Roots review – NY rap legend is in a nostalgic state of mind
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Acrobatic, goofy and super-fast: the biama battles redefining Ivorian dance culture
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Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
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‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk
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‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole
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Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’
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R&B star Syd on the return of the Internet and falling out with Odd Future: ‘We only had three meetings as a group and I called two of them’
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‘Central to human identity’: exhibition at the Met connects bodies with musical instruments
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Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
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Lil’ Kim review – formidable rap legend delivers mostly vibes, but the crowd is here for it
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Flying Lotus: ‘People kept saying, “You can’t make hip-hop with a laptop”. Those comments were my fuel’
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Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun
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