Katie Norris: Mother Succubus review – gothic comic enters a wickedly funny new era
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Tilda Swinton’s blast from the past, Kevin Bridges at large and a deepfake ballet: theatre, comedy and dance to see this autumn
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Fourth time lucky as Chris Cantrill’s spoof whodunnit wins Edinburgh comedy award 2026
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Spencer Jones: Dogs review – barking comic sniffs out community through canines
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Tom Towelling Teaches You to Knit review – quirky yarns and a pop quiz in maths
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Marty Gleeson: Dog Ear review – hangdog standup with an unexpected request for Santa
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Sami Abu Wardeh Hates You review – a clown strides into the mainstream with style
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Max Olesker: Making the Cut review – up close and personal account of comic’s religious conversion
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Adam Riches: The Captain review – the extraordinary glory of a ‘half man, half fish’ Victorian hero
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Kemah Bob: Love Child review – Miss Fortunate’s follow-up is a superbly playful origin story
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Frankie Thompson: Horrible Things review – a show to make you shudder with laughter
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Megasquirt: Fully Loaded review – how to combat existential angst? A comedy rave at an ungodly hour
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A supreme being, the nearly naked show and politics with paws: Edinburgh fringe pick’n’mix
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Salty Brine: How Strange It Is (The Neutral Milk Hotel Show) review – one of today’s most powerful stage voices
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Crybabies: The Scaring review – chills and laughs abound in twisty tale of demonic possession
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