The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
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My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
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The Oresteia review – this body-shaking, blood-soaked opera is exhilaratingly wild
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Bennelong in London review – Indigenous warrior meets the actor playing him in this funny, clever play
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‘Charged with horror and anguish’: Arthur Boyd’s nightmarish Nebuchadnezzar series opens in major new Bundanon show
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A Year Without Summer review – Florentina Holzinger’s all-nude, orgy-filled, poo-pocalypse musical
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‘I can use it, I can abuse it’: Tony Albert spent decades collecting racist ‘Aboriginalia’. Now he wants to turn yours into art
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Flying Lotus: ‘People kept saying, “You can’t make hip-hop with a laptop”. Those comments were my fuel’
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Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut | Dee Jefferson
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Yann Martel: ‘I hate the rich people of this world – of which I’m one, because of Life of Pi’
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An Iliad review – David Wenham is a great match for contemporary twist on Homer’s epic
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Drive Your Plow Over the Bones of the Dead review – the radical, angry heart of Olga Tokarczuk’s novel is missing
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After three years, investigations and now a $4.4m lawsuit, Australia’s most controversial art exhibition finally opens
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A feud ‘straight out of Succession’, a rental thriller and an ‘absolute ripper’: the best Australian books out in April
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Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
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Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
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