Koreaboo review – Michelle Lim Davidson’s debut play is a tender tribute to fan culture
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Strong is the New Pretty review – Suzie Miller’s AFLW play is both shocking and crowd-pleasing
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Fire destroyed Belvoir theatre’s precious ‘library of things’. Now it is rising from the ashes
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The Nightline review – listening to messages from anonymous callers is an odd, affecting experience
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Break of Day review – Kat Stewart is superb in this deeply moving portrait of Australia’s working class
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Animal Farm review – Orwell goes outback in this subversive, rowdy stage adaptation
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A Beautiful Noise: The Neil Diamond Musical review – finally, a jukebox musical that really works
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Fiddler on the Roof review – a superlative cast welcomes you into a vibrant, revitalised musical classic
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Uncle Vanya review – celebrity casting and cringey modernisation undercuts uneven Chekov
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The Oresteia review – this body-shaking, blood-soaked opera is exhilaratingly wild
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It took months for an LGBTQ+ arts pop-up to resurrect an old church – but just three days to shut it down
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Bennelong in London review – Indigenous warrior meets the actor playing him in this funny, clever play
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A cathartic play unpacks the pain of heartbreak with classic breakup songs: ‘As close to a universal experience as one gets’
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Doubt: A Parable review – Sam Reid and Pamela Rabe go head-to-head in electrifying drama
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Heather Mitchell: ‘I got the biggest reaction for playing Donald Trump – but I really enjoyed playing Bill Clinton’
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Ganesh Versus the Third Reich review – stunning, provocative work claps back to a new world of fascism
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Pamela Rabe: ‘I find wandering up and down the aisles of Officeworks very calming’
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