Martin Parr: Global Warning review – the great photographer in all his gluttonous, giddy glory
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Do You Come from Gomorrah? review – Frank McGuinness’s blistering portrait of abuse and prejudice
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Primavera review – Vivaldi’s Four Seasons is school-of-Salieri backdrop for period musical biopic
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The Illuminated Man by Christopher Priest and Nina Allan review – an unconventional portrait of JG Ballard
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Son of Nobody by Yann Martel review – Life of Pi author discovers a long-lost poem from Troy
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The Center Will Not Hold review – a compelling conversation between US dance styles
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Ronin review – Yukiko Masui’s swordplay choreography is exhilarating in its cut and thrust
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Holy Carrot, London E1: ‘As good as plant-based dining gets’ – restaurant review | Grace Dent on restaurants
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The Murder Line review – Minnie Driver’s mischievous crime caper is on the edge of excellence
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Queen Elizabeth II: Her Story, Our Century review – apparently she was very good at shaking hands
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Madonna: I Feel So Free review – album teaser offers hypnotic glimpse of a return to her club scene roots
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‘Perfectly textured – moist, fluffy’: the best supermarket falafel, tasted and rated
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Cassie Workman: You Are Here review – a remarkable standup on a crumbling world
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An Iliad review – David Wenham is a great match for contemporary twist on Homer’s epic
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TFI Friday Unplugged review – Chris Evans struggles to recapture the spirit of his 90s chatshow juggernaut
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Hacks finale review – this venomous satire used to be the height of comedy. But now … it isn’t
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LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold
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